Although Ye Chen saved the lives of Mrs. Jiang’s mother and her son, he is still grateful to Mrs. Jiang.
This is because Mrs. Jiang gave her her ancestral phoenix bone and rattan bracelet without hesitation.
Originally, Ye Chen thought that the old lady didn’t know that the phoenix bone rattan bracelet was inherited from the ancestors and the material was rare, but she probably didn’t know how rare and valuable it was.
But after this meeting, Ye Chen discovered that Mrs. Jiang actually had a clearer understanding of the value of the phoenix bone rattan bracelet.
Back then, Meng Changsheng, Meng Patriarch, just took a phoenix bone and rattan bracelet from the ancestor of the Jiang family, and kept him by his side for decades, and even gave him two rejuvenating pills successively.
Not only that, in order to find a breakthrough, Meng Changsheng even promised to give him a chance if he seeks longevity in the future before the ancestors of the Jiang family parted.
Although Meng Changsheng did this not only to repay Fengguteng’s affection, but Ye Chen guessed that Fengguteng definitely played a very important role.
These past events have been passed down from generation to generation in the Jiang family, and Mrs. Jiang is well aware of them.
But when she was in Mexico, she was still willing to use this bracelet to thank herself, which made Ye Chen feel a little grateful.
Moreover, the usefulness of the phoenix bone vine is not just for refining the twenty reshaping pills. If you want to refine high-level pills in the future, the phoenix bone vine is almost an indispensable and important material. great help.
It was also because of this that he decided to use his own strength to make sure that Mrs. Jiang, mother and son would live their lives without any worries.
Seeing that the villas and shops have been settled, Ye Chen feels relieved. Chen Zekai also ordered the Ye family’s subordinates in Shudu to take care of the mother and son as much as possible. The low-key way to take care.
After everything was settled, Ye Chen bid farewell to Mrs. Jiang. After Mrs. Jiang thanked her a lot and sent their car out of the community, Ye Chen and Chen Zekai rushed to Shudu Airport overnight and took the opportunity to return to Jinling.
On the plane, Chen Zekai was already a little tired after driving for a day. After the plane took off, he fell asleep on the comfortable flat seat. Ye Chen was not tired, and gave Mrs. Jiang to his The painting scroll was taken out again, placed on the legs and slowly unfolded.
In the picture, Meng Changsheng with the fairy wind and crane bones once again jumped out of the scroll. When I saw this painting in the old house of the Jiang family in Shunan, the painting hung high on the wall and the lights were dim. When his wife told Ye Chen about those past events, Ye Chen was distracted a lot, so he didn’t appreciate the painting too carefully.
But now, after laying it out in front of him and watching it carefully with the reading light on the plane, Ye Chen is even more impressed with the skill and charm of this painting.
Because the Chinese ancients paid more attention to charm than reality, in fact, most of the famous ancient painters were not good at realistic painting.
Landscapes, fish and insects, and characters all pay more attention to a vivid charm.
And the paintings of the ancestor of the Jiang family, although they are also traditional Chinese painting styles, are very detailed and meticulous in depicting the details, so that Meng Changsheng in the paintings feels very real and vivid, even the one swaying in the wind Their long beards look very realistic.
Perhaps people in the Tang Dynasty did not have the habit of writing inscriptions on paintings. Ye Chen did not find any inscriptions on the paintings, but he firmly believed in his heart that if this painting was made public, with its uncanny style of painting, I am afraid that it would be popular in the whole world. There is a stir in the arts.
Maybe, the ranking of famous painters in the Tang Dynasty will also be rewritten because of the publication of this painting.
But Ye Chen naturally didn’t have this plan. He decided to treasure this painting well. After returning to Jinling, he would not let others see the contents of this painting.
After admiring it intently for a long time, just as Ye Chen was about to roll up the scroll again, he suddenly felt that there was some slight aura fluctuation in the scroll.